![]() ![]() I will eventually post on how this goes for me. I'm personally looking into re-amping vocals through different drives, effects, etc. The most powerful way is to actually re-amp through the Axe-fx II so you can maintain maximum flexibility. You will want to tweak things to get it all to sit right. The reason I think it's important to reamp an entire chain is that your amp is going to sound very, VERY different when you switch cabinets. When you are satisfied with your re-amped signal, make sure to turn off the input on the re-amped tracks, or you'll hear the reamped signal you are working on over them in the future. I change my input on the Axe-fx from front to rear and voila! I'm re-amping my perfect digital signal as an analog signal. For example, you can play your amp and use the attenuator (through the speaker output), while sending the full torpedo processed signal of your amp to your DAW (through the XLR outputs). All outputs work simultaneously and independently. ![]() I make sure to route output 3 of my interface (saffire mix control) to go back into analog input 3, set up a new channel with the input as 3, mute the other channels that have input 3 on them (like your original wet track). The Captor X speaker out has been designed for regular guitar/bass cabinet use. ![]() I then set up my dry channel to output 3, which will go back to the rear input of my Axe-fx. The software guys wouldnt be left out of this market, and the result is the latest addition to direct recording tools: software amp simulators. This insures a pristine digital recording that isn't going to have any signal loss, pops, crackles, etc. I make sure I'm set to record input 5 on the channel that will be my dry guitar, but I mute the track so I don't hear it's recording while I'm playing along. In Logic, for example, I can set up my wet track mono on input 3 (coming from the analog output of Axe-fx II) and my S/PIDF signal on input 5 (digi out set to input). If you set up your interface properly, and if your interface has a S/PIDF connection, you can simultaneously listen to a wet analog performance while recording the dry track via S/PIDF. Is it possible to still reamp through USB if I am using Cubase, and I have another audio device as my main interface? Or is the best way to simply run the dry track out using an xlr/1/4" output from the interface, into the Axe Fx 2, and then xlr/1/4" back into my interface?Īnd, what is the best way to go about putting 2 or 3 mics on one cab? So far it seems like copying and pasting a cab block and changing the mic setting seems to be the best bet, but just wondering if there's any other way- and I'm not sure if you can load up more than 2 cabs (felt like I saw that but haven't actually tried it yet) My questions, simple I think but I haven't found an exact answer yet. Right now I've been having bands record a dry track into the computer while monitoring with an amp sound such as Guitar Rig for a temporary sound. I run a studio so I will be changing settings a lot of the time with the unit as if I'm micing up a different cab/amp for each band- I also reamp. Hey there, just got my Axe FX 2 the other day- pretty amazingly cool, still figuring it out a bit but really digging it. ![]()
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