I find that when this process is over, I have an incredibly strong second draft. I cut what doesn't and replace it with the new scenes I've already devised writing. I go back and work and make sure each scene fits the new outline. When it's time, I open my outline in Pages and then my Final Draft next to it. And I do this in outline form because I think it's way easier to change and to view the consequences of changing things before I dive back into actually changing pages. I go back through every beat in the outline and make sure I'm capturing the intended goal of the screenplay. Seeing them in outline for is freeing because they allow you to solve the ramifications of that domino effect without the terror of writing new scenes.Īnd any writer worth their salt will tell you that making these kinds of big changes is what separates the pros from the amateurs. The scariest thing about any rewrite is making those massive, sweeping changes that seem to implement a domino effect to change the whole script. I created this story map to help myself when I’m outlining new script ideas (maybe some from the Public Domain), and I think it applies to lots of different genres and sizes of movies. Where We Go From Here - Show us the world in a new light, hint what’s next.The Treasure Chest - Did they get what they came for?.Race To the Finish - They’re up and running no matter what.
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